Pop-Art in the Canteen

For all Rotterdam inhabitants interested in Pandora's Music Box: Walhalla Theatre is hosting a talk show about the festivals on Thursday 4 October. The festival initiators and programmers Berry Visser, Willem Venema and Carlos van Hijfte will all be part of the panel. The event promises "unique archive footage and music" so your humble blogger will do his best to be there too...

Musical guests are the most excellent Rats on Rafts - possibly with the help of Ger Sax, saxophone player in KIEM who are covered on Rats on Rafts' new single Moneyman.

More information on the event here.

Willem Venema

Ik heb in de loop der jaren gewerkt als stagemanager bij o.a. AVRO’s Grand Gala Du Disque, KRO’s Rocktempel, VARA’s Popzien, New Pop-Rotterdam, Schuttorf Open-Air (Duitsland), Torhout/Werchter (Belgie), Parkpop-Den Haag (van editie 0 tot heden), Pinkpop tot mijn ontslag bij Live Nation, en Metropolis-Rotterdam.
En ik was (mede-)initiator/oprichter/programmeur van “Pandora’s Music Box” midden jaren tachtig, “Ein Abend In Wien” in 1991 en “A Campingflight To Lowlands Paradise” van 1993 tot eveneens mijn ontslag bij Live Nation. (http://www.wvenema.nl/?p=64#more-64)

"Ik bemoei me met van alles." Zo heeft Venema zich in het verleden bemoeid met artiesten als Herman Brood, Claw Boys Claw, Candy Dulfer, de Heideroosjes en Urban Dance Squad. (http://3voor12.vpro.nl/3voor12/stadskanaal/deskundigen.shtml)

Of course Lowlands is partly modeled after the famous Roskilde Festival in Denmark. But its roots also go back to the hippy days of 1967, when an embryonic indoor version was held in Utrecht. Similar (indoor) pop festivals with theatrical and absurd highlights were held in Rotterdam in the 80s (Pandora’s Music Box) and early 90s (Ein Abend in Wien). Creator of these last two festivals was Willem Venema while working for Holland’s largest agency Mojo. In 1993 Venema initiated the first edition of Lowlands. It attracted nine thousand people. Nowadays around forty to sixty thousand people make the annual pilgrimage to Biddinghuizen. Many buy their tickets even before the programme is announced. For them the unique atmosphere has become a yearly must.
http://www.dutchsound.nl/page.php?pageAlias=dsnl.news&newsId=1430


Article from Oor magazine (1985/20)


Venema amid his record collection on the cover of Robert Haagsma's book Vinylfanaten (Vinyl Freaks), Spectrum, 2006. Find the complete chapter on Venema here: http://www.wvenema.nl/?p=65#more-65

The Legendary Stardust Comboy

The Legendary Stardust Cowboy, born Norman Carl Odam on October 10, 1947 in Lubbock, Texas, is an incoherent rock and roll performer who invented an early example of the genre that came to be known as psychobilly in the 1960s. While often considered a novelty artist, he considers himself a serious performer.
David Bowie has been a fan of the Legendary Stardust Cowboy, who likes to be called "The Ledge", since he heard Paralyzed. Bowie himself has said that the "Stardust" in "Ziggy Stardust" is taken from The Legendary Stardust Cowboy.
In 1985, the Dutch VPRO radio tried to re-popularise the Ledge. (http://en.wikipedia.org/wiki/Legendary_Stardust_Cowboy)

Scheduled
Friday, 11 October 1985

Line up
Uncertain, but likely: The Legendary Stardust Cowboy - guitar, vocals; Kid Congo Powers - guitar; Murray Mitchell – guitar; Patricia Morrison - bass; Desparate – drums

Recently surfaced video (see below) reveals the backing band to be Claw Boys Claw! However, at the end of the fragment, CBC bassist Bobbie hands her bass to another woman - possibly Patricia Morrison with a giant blonde hairdo/wig?

Set list
01 Indian Wallpaper

02 So mean

03-14 Unknown

The first two tracks are Claw Boys Claw, track 3 is an instrumental during which the Ledge joins them.

Recording
I have a complete lossless (flac) audience recording of the show.


The Ledge backed by Claw Boys Claw at Pandora's 85 as uploaded to YouTube by waaghalsrecords.

Other info
The Ledge appeared as surprise act at the festival, backed by Fur Bible. The Claw Boys Claw played a short warm-up set. Unknown if they were Friday or Saturday, but Saturday sounds most likely: Fur Bible played on Saturday and CBC were likely to be there to see their mates (and ex-drummer) in the Fatal Flowers and L’Attentat. They possibly played the “Mini Box” after 23:30 (when Fur Bible finished their “Small Hall” set), or after 02:00.

Also around this time the ex-Gun Club contingent appeared as the backing band to the Legendary Stardust Cowboy (of 'Paralysed' fame) on a tour of England. (http://www.furious.com/perfect/gunclub2.html)

This is not as strange as it may sound. Fur Bible came to life as a vehicle for another legendary 60’s star: Tex Perkins.

So in the meantime while we were thinking about "now what do we do?", this Dutch promoter, Willem Venema had this idea. He was working on bringing over the Legendary Stardust Cowboy – who – we all knew the song "Paralyzed." The song is a big legendary song that we all loved. He asked us, "Would you be the back-up band for this guy?" And I was like, "That 'Paralyzed' guy? Yeah, sure. That sounds great." And it was just a gig to do. I never met him. I didn't know what he might be like or anything. So he shows up – him and his manager. And he is a total kook. That guy is a total kook. Actually a little bit like Jeffrey but totally charming and loveable somehow - and very talented. It's a really untamed crazy talent, but he has his own vision and it has nothing to do with the rest of the world. And certainly I can appreciate that.
So we got a record and we learned the songs and we just ended up doing this crazy tour of Europe and it was totally fun and funny. And Patricia wore a big Dolly Parton blonde wig. It was totally campy and he was just crazy. What a nut! He did some crazy strip at the end where he stripped down to these horrible flesh-colored big underwear. And he just had all his crazy songs about UFOs and love and him "thinkin' about you while I'm sitting in a garbage can." And great songs. It was totally a gig, but I really loved it. It was a real fun thing and it really broke up this whole seriousness about The Gun Club breaking up and this thing with Tex not working out. It was like, "OK, we can be totally ridiculous." It came at the right time. (Kid Congo Powers, http://www.newyorknighttrain.com/zine/issues/1/kidbible.html)

I saw The Legendary Stardust Cowboy somewhere in the mid 80's in a club in Rotterdam, where he was accompanied with members of The Gun Club. An awesome show and nothing like anything else. The image of a (already) middle aged Ledge stripped to nothing but his underpants and (of course) cowboy boots somehow still haunts me :D. (Robert Haagsma, http://www.stevehoffman.tv/forums/archive/index.php/t-104564.html)


The Ledge watching Tex & the Horseheads from the side of the stage at Pandora's 85 (Vinyl magazine 1985/11)

Theme from Pandora's Music Box 83

I was amazed to discover today that there was an official Theme from Pandora's Musix Box 83. The artists were called The Music Box Orchestra, and I have no idea who they were.

A one-sided 12" was released on a label called either Pandora Records or Pandorecords. Apperantly, a limited edition "rare Berry Visser production". Visser was one of the founders of Mojo Concerts, the organisers of Pandora's Music Box. Willem Venema was in charge of music, Visser was in charge of the "phenomena", alienating musical and theatrical effects in the venue.

Tijdens zijn Mojo periode bedacht en gaf hij samen met klankmagiër Michel Waisvisz vorm en inhoud aan de 'verschijnselen' tijdens Pandora's Music Box en Ein Abend in Wien [Pandora's Music Box successor, only one single edition in 1991 - P@ndora]: vervreemdende muziek- en theatereffecten in de openbare ruimten van twee legendarische festivals voor vernieuwende popmuziek in de Rotterdamse Doelen (1983, '84, '85 en '91). (http://www.musicfrom.nl/magazine/nieuws/7218/berry-visser-nadrukkelijk-terug-als-veelzijdig-kunstenaar.html)

If anyone could lend me $162, I could get a copy from these guys http://www.musicstack.com/item/40637141/music+box+orchestra/theme+from'pandora's.

Scientists

Scheduled
Friday, 21 September 1984, "Garage Box", 22:15 - 22:45

Line up
Kim Salmon – vocals, guitar; Tony Thewlis – guitar; Boris Sujdovic – bass; Brett Rixon – drums

Set list
00 Backward man

Recording
Unknown

Other info
At the time, it seemed as if none of us did anything for the first year in the UK but stand in queues and pay exorbitant VAT- inflated prices when we got to the end of them. In retrospect, and at the risk of boasting, I can only be amazed at how far we got in that small amount of time. Firstly, we had a local release for Blood Red River on Rough Trade. Next we virtually walked into All Trade Booking Agency and got a whole stack of shows at places like Dingwalls, The Electric Ballroom, The Lyceum and The Clarendon Garage. As well, Tony and I rather cheekily wrote Kid Congo a letter telling him we were going to support the Gun Club on their UK tour. There was no talk of this with the agency - we just did it 'off the bat' and that seemed to clinch it taking care of exposure over the rest of England for us. The next step was for the Dutch fellow previously mentioned [Willem Venema – P@ndora] to walk in to All Trade and see our photo and then book us into Futurama in Belgium and the Pandora's Box festival in Rotterdam. At Pandora's Box we found ourselves in front of a huge jampacked room which moved back a full metre the moment we launched into our set. After that we got our picture taken a lot and I ended up having to do loads of interviews for foreign mags that I would never be able to read unless they were in the three sentences of Deutsche that I know. As Boris pointed out to me, this gig set us up for Holland and Belgium over the next couple of years. It wasn't long after these festivals that we made it to Paris and then Hamburg.
Back in the UK, our audience at this stage was comprised partly from the network of Cramps and Gun Club fans who had been alerted to our existence by the tireless efforts of Scotsman and Next Big Thing writer Lindsay Hutton and partly from a curiosity amongst punters as to what kind of act could draw the particular kind of adjective from the ink of the three British trade papers, NME, Sounds and Melody Maker, that we did. I was quite happy at that stage of my life to be referred to as the "lowest form of uncaring anti-social filth" in what amounted to a music tabloid with a circulation of hundreds of thousands so long as they meant we were great. We got quite a bit of coverage and most of it was positive in that kind of way. At Pandora's Box a Belgian chap called Paul Delnoy asked if he could make a record with us on his label. He did not seem to have enough English to understand 'no' (we were tied up contractually) which is why we ended up in Brussels at the end of the year trying to make up another record from scratch that didn't overlap with the material we were working on for our next proper album. (http://www.citadel-records.com/mailorder/600/discs/scient.html)